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WEVER & DUCRÉ
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, the nec plus ultra of Italian design. Anyone who feels something for design in general or for design lighting knows the brand. Their earliest designs date from the 50s of the last century. In the years 70-80 they came to the top with very quirky, very unique designs.
Flos works with many different designers. Some of them designed many models for this brand and became famous with the brand. That is why their collection is very diverse but always special.
Of course, the led revolution did not pass them by. The most recent models are therefore equipped with integrated LED. Modified LED lamps are provided for the older models.
In addition to the Home Collection presented here, more recently the Flos Architectural was launched, with more technical devices being shown.
The Flos Tatou family, beautiful lace, as a hanging lamp, table and floor lamp.
The Aoy, a very fragile transparent table lamp, very special.
We already presented the Flos Foglio in the eighties, in our then still physical showroom. Vintage, but still available and up-to-date.
The new Flos, pure light lighting in the form of a Lightspring.
Arrangements, with this new LED lighting you can go in all directions. Many forms can be combined into a spectacle. Or simply elegant as a single element.
The Flos Kelvin, a functional desk lamp, on a base, clamp, pin or wall bracket.
Romance in design, this Romeo collection charms.
Flos IC, pure lines and shapes together into a light combination.
How do you take advantage of Flos’ technology when working with its design?
Think about we’re not alone, it means: when we start to design something, we, the designers, and the architect work together with a factory, we need some sophisticated issues, born in a factory, and, for example with Flos architectural, when we started to discuss with Piero Gandini and Federico Martinez together, we discussed about technologies, we started to reduce in our mind some dimensions for LED lights.
The track, it was reduced, and we minimized the dimensions and the idea was to put inside many functions all together. I remember the day when we started to develop the project and we thought “why we don’t put inside the light?”, not only the small spots or the bigger ones, we thought ok, it gets to become a multifunctional rail with many different thoughts inside, with many capacities and characteristic lights.
The second one, we tried to think, you know, when you design one spot, one spot is not something suspended in the air, it’s a small machine to do light, at the same time to offer special quality of emotions. Our capacity to combine together many different – technologically speaking – thoughts, many different functions, plus we reduced the whole dimensions.
And that’s it.
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